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There is Lara Flynn Boyle as Donna Hayward, the Good Girl, who may not be all good Sherilyn Fenn as Audrey Horne, the Bad Girl, who can’t be all bad (those cherry stems! that tongue!) and Mädchen Amick as Shelly Johnson, the Waitress, who is probably good and bad, but boy, can she pour coffee! Kittens all, they drive men to despair. Let us consider these three, in particular: (There are no children, just teenagers.) Twin Peaks is dark Mayberry: If Thelma Lou had sex with Goober behind Barney Fife’s back - that is Twin Peaks. Laura died in order to bring us to Twin Peaks, a voluptuous, woody town in an unnamed Pacific Northwest state, where the women are minxes, the men eat pie, and the coffee is a life force. She came dead so that America could investigate her murder for one hour each week on network television. Laura Palmer is a pop-culture martyr: She came dead and wrapped in plastic. We never knew her, but then nobody else seemed to either, what with her secrets and all. Laura Palmer is dead, and we are sick of her, anyway. None of these three women is Laura Palmer, homecoming queen, corpse.
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Which is to say, there are other twin peaks on the series, but together these three account for exactly six of those peaks. They are the women of Twin Peaks - or, at least, three of the women of Twin Peaks. They are women whom we think we know but really don’t know at all. They are known for playing women who know more than they let on.
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